A project that arose from a desire to continue the research carried out so far into the erotic, distance and the landscapes of the body, but which, nevertheless, deviated from this, with an autonomy of its own, and naturally, to deal with the artist’s vision of himself. How our own vision confirms or alters the real, the apparently present and physical, while also adding an inner, psychological and sensitive dimension that is inherent and governs us. The artist’s vision of his own being, his inner self and his person is manifested here through symbols and signs representing what he sees emerging in himself. The circumstances that surround him permeate his meaning and allow for a self-analysis hitherto neglected and taken as secondary, at least in intent or realisation assumed by the creator of the works.
 The exploration of materials completely alien to the artist’s usual practice, such as wax (and the silicone used to create moulds), cast iron, stone and mirrors, open up new horizons and provide an initiation into working with new materials that can accompany the author’s path as a creator of image-objects, as well as expanding the artist’s plastic universe, opening up space for new thoughts about and for the works.